LIT 203-099  World Literature from the Ancient World to 1650

Satan is trapped in ice at the bottom of Hell...

Course meets: ONLINE ONLY

Instructor: Dr. Maria H. Makowiecka

Office:
L-329

Hours:
see schedule and by appointment

Phone
:201-447-9281

Home page: http://www.bergen.edu/faculty/mmakowiecka/

E-mail:
mmakowiecka@bergen.edu

 

Text
 Davis, et al., Bedford Anthology of World Literature Pack A, Volumes 1-2-3. available at Bergen CC Bookstore, a copy at the Bergen Library, or www.amazon.com.) A companion web site at http://bcs.bedfordstmartins.com/worldlit/.

 You can find much general information for the course from the Bedford web site, but it is not a replacement for the Anthology, since it does not contain the actual readings. It nicely packages overviews in multimedia format. Most areas are unrestricted, but the quizzes, for example, can only be accessed with a username and password. To create your own account, use my email address: mmakowiecka@bergen.edu to get into the database. Then follow the given directions.

 

 Also http://bedfordstmartins.com/researchroom/ and Online Writing lab at Purdue U at http://owl.english.purdue.edu/ with an excellent guide to MLA Style.


Course Description from Bergen Catalog
 This course is a study of world authors to the sixteenth century. Students read works such as Gilgamesh; selections from the Old and New Testaments, the Ramayana; and writings of such authors as Homer, Aeschylus, Li Po, Dante, and Chaucer. 3 lectures, 3 credits Prerequisite: WRT-101 } General Education Course } Diversity Course.


Course Description for This Section
 This course a survey of major works of literature from the first recorded examples through the sixteenth century. We will read many different authors, from different cultures and times, but we will explore the common themes that all writers address. The readings will run in roughly chronological order, and we will move back and forth across several cultures.

Obviously, because there is so much material written between 1500 B.C.E. and 1600 C.E., we cannot cover every genre, theme, style, or society. However, we will deal with representative, or important, or interesting works from the huge body of material produced over this vast amount of time. Although works of literature really should be read in their entirety to fully appreciate them, many of the selections we will discuss and write about are excerpts of longer works. We want to cover as much ground as possible, and this is the only practical way to do so. You should try to read three works completely: Gilgamesh, The Odyssey, and The Inferno. Gilgamesh is generally regarded as one of the earliest complete works surviving in recorded literature, and The Odyssey and Inferno are two of the most influential literary works of all time (Together we will only read selections from these texts).

I hope that you will be able to see the roots of much later literature in the readings for this course. More importantly perhaps is the understanding that people have struggled with many of the same basic issues throughout history and across cultures. We will discuss issues such as the struggle to understand evil, the roles of men and women in society, the quest to explain our origins, the definition of a hero, and the attempt to make sense of the world. Additional links at www.bergen.edu/faculty/mmakowiecka.


Course Requirements

  1. Participation in weekly bulletin board discussions of the readings. Each week I will post several questions to get the discussion going and will also post follow-up questions to make the discussion more fun. You will be responsible for contributing to the discussion several times each week. At the end of each week the discussion will close, so you must keep up with the board each week. Each student will be asked to prepare an online presentation in the form of a short essay or a Power Point presentation. I will grade your participation based on the frequency and quality of your responses. (20 pts. total for semester.)
  2. Two short papers of about 750 words each. I will give you several choices based on the readings. The dates the papers are due are in the Syllabus. Detailed instructions for the four paper assignments will be posted in the course. Detailed instructions for the four paper assignments will be posted under Course Content.  Each paper must be submitted by a specific due date, which is listed on the Course Calendar.  You may turn the paper in sooner if you wish. (20 pts. each.)
  3. A midterm and final exam delivered online. Each will consist of short responses to several questions and you will have to complete them in one hour and twenty minutes. (20 pts. each exam.)

 Please feel free to ask questions at any time. Posting questions to the discussion board is a valid form of class participation. You may e-mail me privately if you have a question about the readings or the course, but I would prefer you to share your concerns with your classmates.

To earn credit on a paper, you must complete the following:

1. Write an original analytic essay in complete and grammatically correct sentences and paragraphs.

2. Write your name and the assignment number in the upper left-hand corner of the first page of your summary.
3.  Compose the essay on your word processor.
4.  Submit an essay of appropriate length.
5.  Submit an essay that does not engage in plagiarism.
6. Submit the essay to www.turnitin.com.

Tips for Writing Essays http://writingguide.geneseo.edu/?pg=topics/organization.html
Tips for Writing Exam Essays 
http://writingguide.geneseo.edu/?pg=topics/essayexams.html


STUDENT LEARNING GOALS
 If you do the work required for this course (reading, studying, thinking, writing, participating in class discussions, etc.), you will be able to

1.      identify major authors in the history of literature;
2.      identify the methods and contexts in which one can understand a work of literature;
3.      summarize and paraphrase, both orally and in writing, the content of specific writings;
4.      use the methods of literary interpretation to understand, analyze and evaluate texts;
5.      state and support your own views on literature more coherently, both orally and in writing.
6.      present
and interpret the words of critics in an MLA documented research paper on one literary work studied (with Works Cited and parenthetical citation) of 6‑7 pages.


Course Policies

HOW THE COURSE WILL WORK
      For the most part the course will run much like an in-class literature course. That is, you will complete readings by a specified time, participate in class discussions on those readings, and complete papers and exams based on the readings, the information I give you, and the class discussions. Each week I will post initial discussion questions and you will be responsible for posting your comments about the readings for that week. (Please note that each week's discussion string will be closed at the end of a given week.) I will post questions to guide the discussion, but I am interested in your reactions to the readings, so feel free to go off the topics I post, as long as your comments are related to the readings we are covering! Please feel free to comment on what others in the class have posted as well. You will be responsible for at least one comment for each separate reading on the syllabus.
      Background information for each week is available online, so read this material before, or while, you complete the readings in the text.
      In addition to the weekly discussions, you will write two papers of about 750 words each and complete a midterm and final exam. The papers will be emailed to me, and the exams will be taken on your computer. These will be posted along with information about how to complete them as the dates for their completion approach. They are timed exams, which means you will be given one hour and thirty minutes to complete each. They will consist of short answer questions. Those who wish to take the exams at the Bergen Testing office will have to make individual arrangements with me.
      Your grade will be determined by the grades on the papers and exams and on your participation in the discussion sessions. See the section on grading policies for a more detailed explanation.


WHAT YOU WILL DO EACH WEEK
      Log onto the Web site several times a week, since the discussion postings will be coming in at all times. Read the Introductions to Readings for the week online and in the text. Read the material. It's a good idea to write a list of questions or comments as you are reading. These will help you both in the weekly discussion sessions and on the papers and exams. After doing the readings, log onto the discussion for the week.


WEEKLY DISCUSSIONS
     To log onto a discussion session, click on the Discussions icon on the homepage and a list of discussions will appear. Go to the discussion for the week, click it and the string will open. Here you will read my discussion guide questions and see what the other students have written. The instructions for posting are pretty straightforward. You are responsible for at least one comment for every reading we do. That's a minimum; certainly, once the discussion gets going, you should be able to contribute several times. Do not wait until the last minute of the week to do this! You will be graded on your participation. There are no wrong or right answers to the questions I post; I'm interested in what you think of the material. As the course goes on, we'll be making comparisons among the different pieces we read.


GRADING POLICIES
 Your final grade for this course will be based on the number of points you accumulate this semester. You can earn 100 performance points in this course. If you accumulate 90-100 performance points, your final course grade will be "A;" 85-89 points = "B+;" 80-84 points = "B;" 75-79 points = "C+;" 70-74 points = "C;" 60-69 points = "D;" and 0-59 points = "F." You will accumulate points by meeting the course requirements.


PLAGIARISM
 
Plagiarism is using someone else's words or ideas in such a way that a reader cannot distinguish them from your own work. As such, it is a form of cheating. If you have questions about plagiarism, please ask me about it before your paper is due; after a paper is handed in it's too late to claim ignorance. The penalty for plagiarism is an automatic F for the essay without a chance to rewrite it, in addition to whatever penalty the College sees fit to impose, including EXPULSION FROM SCHOOL. Plagiarism is increasingly a problem, especially in online courses.  As a result, all faculty at Bergen Community College have access to a Web site (turnitin.com) that can determine, usually within 48 hours, whether a paper has been plagiarized.  ALL ESSAYS WILL HAVE TO BE SUBMITTED TO TURNITIN.COM. (Detailed instructions will be provided.)


GENERAL THOUGHTS ABOUT THE COURSE

"Learning is not a spectator sport. Students do not learn much just by sitting in classes listening to teachers, memorizing pre‑packaged assignments, and spitting out answers." (Chickering & Gamson, 1987)

The Active Learning Pyramid

The pyramid diagram below shows the effectiveness of different approaches to learning. The point is "Be active!"

Week I
The Descent of Inanna
Hesiod, from Theogony

Week II
Old Testament: Genesis and Job.

Week III
The Epic of Gilgamesh

Week IV
Ovid, from The Metamorphoses: The Creation & Four Ages, Apollo & Daphne,
Jove & Io, Lycaon, Pygmalion.

Essay 1 (Topics cover Weeks I-IV)

Week V
From The Bhagavad Gita
Lao Tzu, selections

Week VI
Homer, The Odyssey

Week VII
The Odyssey, cont.
Confucius, from The Analects

Week VIII
Aeschylus, Agamemnon
Euripides, Medea

                  Midterm Exam (Questions cover Weeks V-VIII)

Week IX
From The Koran
St.
Augustine, from The Confessions, Books: II, IV, VI, VIII, IX

Week X
Li Po, selections
Murasaki Shikibu, from The Tale of Genji

Week XI
Old English Poetry: The Wanderer and The Dream of the Rood (provided in the course)
Dante, The Inferno

                    Essay 2 (Topics cover Weeks IX-X )

Week XII
The Inferno, cont.

Week XIII
Boccaccio, from The Decameron
Geoffrey Chaucer, from The Canterbury Tales

Week XIV
Chaucer continued
Cervantes, from Don Quixote
Francis Petrarch, Canzoniere

Week XV
Wu Ch’Eng-En, from Monkey
Shakespeare, Sonnets

Final Exam to cover weeks XII-XV.

AND FINALLY
 Please do not hesitate to e-mail me if you have any problems at any time. At the end of the course I'll be asking for an evaluation from you, but please let me know how things are going throughout the semester. The readings in this course are very interesting and, I think, very relevant to us. I hope you enjoy the course!

Dr. Maria Makowiecka at mmakowiecka@bergen.edu