COURSE DESCRIPTION
GRAPHIC DESIGN I is a studio course intended to teach students the basic principles required to solve graphic design problems. In the course, formal and communicative aspects of graphic design are covered through readings, projects, in-class assignments and discussions. Students learn the fundamentals of visual communication through words and images. Example projects are explorations in letter forms and page layout, the making of logos and other marks, and book or poster design.
In addition to the study of graphic design, students are provided the opportunity to learn good studio practices. Problem-solving skills, willingness to research, craftsmanship, and professionalism are all important to success in this course. Students are provided opportunities to develop an awareness of design's cultural context and establish good studio practice.
TEXTBOOK
TBD
LEARNING GOALS
Students will learn:
- the meaning and use of graphic design and visual communication
- the fundamentals of creating graphic design
- how to communicate using images and text
- a historical frame work to put the theories of this class into context
PROCEDURES
- Lectures, discussion, demonstrations
- Projects in class and as homework
- Independent projects
- Class critiques
GRADING POLICY
If you are concerned about your grade please do not hesitate to contact me.
Assignments and class participation are evaluated based on achievement of technical and creative concepts, thoughtfulness, attention to detail, effort and originality of approach.
Generally grades follow these criteria:
A = Student whose work and work ethics display exceptional effort and care
B = Student displays good work ethic, completes assignments with thought and care
C = Average work and average effort
D = Student presents below average work and displays little effort in completing assignments
F = Student does not complete assignments and/or attend class
For final grading purposes:
- Homework and class projects 50%
- Participation in discussions, critiques and attendance 30%
- Final project 20%
ATTENDANCE
Attendance will be taken during each class period. Success in a studio art class is dependent upon the student's participation in the studio activities and interaction with other students. Skill and knowledge is acquired as much by doing and participating as it is by reading and responding. This cannot occur if a student is not in class. Therefore, three unexcused absences will result in the lowering of a full letter grade at the end of the semester. Late arrivals and early departures will be noted and count as a half of an absence. Frequent absence and/or tardiness will result in the failure of the course.
*Due to my commute from Brooklyn there may be times when I am unavoidably late to class due to traffic or weather. Fortunately our class is 4 hours per session. In the event that I am late I will notify the Arts & Communications office located on the second floor, W-225. The department secretary, Barbara Bliss, will place a listing on the bulletin board outside of her office noting late or cancelled classes for the day. If it is not listed, ask Barbara for more information. You are required to attend class and work until I arrive.
DEADLINES
Finished projects will be due at the beginning of class on the day of the deadline.
CRITIQUES
We will discuss student work as a group. Critiques are focused opportunities to share insights, verbalize intentions and to assist students in their development. Please use a respectful tone while discussing the work of your peers. The critique process is meant to help each student understand the strengths and weaknesses in her or his work. Critiques should never feel like a personal attack. Critiques in a studio class are as important as exams in a lecture course.
LEARNING
Art and design disciplines attract highly motivated people who, as students, are very concerned with grades. Shift concerns from grades to learning - grades will follow.
Be attentive and as precise as possible in critique; precision with the analysis of the work of your peers is as important as your attention to the discussion of your own work. You can always learn from others.
Make an effort to be as open as possible. Good advice should resonate with you as you develop in your studio practice.
Keep in mind that when we fall short it is an opportunity to learn. Be gentle with yourselves and each other as you open yourselves to learning. Learning from mistakes in the critique is a generous act on the part of the mistake maker.
TIPS
- Don’t leave projects until the last minute – it takes time to develop ideas and manipulate materials.
- Make more than the minimum assigned number of projects. Artworks develop with practice and feed on each other, so, the more effort you put in the better the results will be.
- Keep up with the reading in order to fully participate in class discussions.
- Be prepared with the materials needed for that week’s project.
- The weekly schedule may change as the semester goes on. If you miss a class it is your responsibility to contact me or another student to know what materials to bring and what reading to do. Exchange phone numbers with classmates at the beginning of the semester.
- PLEASE email or call me with any questions or needs you may have.
- If you have to miss a class let me know IN ADVANCE so we can work something out.
MATERIALS
***Always bring sketchbook, drawing pencil, 24" ruler, x-acto knife, adhesive, and scissorsEach week I will tell you what you need for the next project.
- Black presentation board (four boards minimum, 15" x 20" or 16" x 20"). NOT foam core.
- HB, 2B, 6B Pencils, assorted markers
- pack of colored pencils
- Sketchbook/Notebook – 9”x12” or 11”x14” for notes and development of visual ideas
- Bristol paper pad, 19”x24”, heavyweight, smooth finish
- Tracing paper pad, 19”x24”
- Black construction paper one package
- Triangle
- Metal straight edge ruler with cork back
- Eraser - Mars white plastic eraser
- Scissors
- X-acto knife and blades
- Compass
- Rubber cement, glue stick or double sided tape
- Inexpensive portfolio with handles (paper or plastic is fine) (optional)
- Tackle box or container to carry supplies in (optional)
- A portable USB Flash Drive with at least 2.0 GB of memory. You must back up all of your work.Other materials may be required during the semester and will be discussed.
WEEKLY SCHEDULE
NOTE: Weekly schedule may occasionally change due to the pace of projects and topics. It is your responsibility to check with me or other students to get information you may have missed and to be prepared for the next class.
| WEEK 1 |
INTRODUCTION: What is Graphic Design? |
| WEEK 2 |
COMPOSITION: Line, Shape, Positive and Negative Space |
| WEEK 3 |
COMPOSITION: Logos, Symbols and Pictograms |
| WEEK 4 |
COMPOSITION: Decals |
| WEEK 5 |
LETTERFORMS: Introduction to Typography |
| WEEK 6 |
LETTERFORMS: Individual Characters, Text & Image |
| WEEK 7 |
COMMUNICATION: Color |
| WEEK 8 |
COMMUNICATION: Images |
| WEEK 9 |
COMMUNICATION: Text |
| WEEK 10 |
COMMUNICATION: Sequential Storytelling |
| WEEK 11 |
OBJECTS: 3-d |
| WEEK 12 |
Proposal for FINAL PROJECT |
| WEEK 13 |
FINAL PROJECT:
Student develops and completes an ambitious self-assignment, which serves as the final exam for the course.
|
| WEEK 14 |
FINAL PROJECT:
Student develops and completes an ambitious self-assignment, which serves as the final exam for the course.
|
| WEEK 15 |
FINAL PROJECT DUE |